![Alternate image of Pastoral landscape by Claude Lorrain](/media/thumbnails/collection_images/2/208.1992%23framed%23S.jpg.463x400_q85.jpg)
![Alternate image of Pastoral landscape by Claude Lorrain](/media/thumbnails/collection_images/2/208.1992%23detail01%23S.jpg.310x400_q85.jpg)
![Alternate image of Pastoral landscape by Claude Lorrain](/media/thumbnails/collection_images/2/208.1992%23detail02%23S.jpg.330x400_q85.jpg)
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Details
- Other Title
- Diamond Claude
- Date
- 1636-1637
- Media category
- Painting
- Materials used
- oil on copper
- Dimensions
- 27.9 x 34.7 cm panel; 43.1 x 50.0 x 6.0 cm frame
- Signature & date
Not signed. Not dated.
- Credit
- Gift of James Fairfax AC 1992
- Location
- Naala Nura, ground level, Grand Courts
- Accession number
- 208.1992
- Copyright
- Artist information
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Claude Lorrain
Works in the collection
- Share
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About
Claude Lorrain has been called the greatest of all
European landscape painters. In the 1630s in Rome
he perfected a technique for the representation of
light and atmosphere in landscape so sophisticated
that his art remained the crucial influence in
European, Australian and American landscape
painting for two centuries.This example, painted on a small copper panel, is a
pastoral landscape – an idealised view of the life of
a goatherd as he lazily guards his flock in a setting of
ravishing natural beauty. The effect of early morning
light filtered through haze over a tranquil stretch of
water is studied with extraordinary delicacy. -
Exhibition history
Shown in 9 exhibitions
Exhibition of works by old masters, Royal Academy of Arts, London, Winter 1882–Winter 1882
Catalogue of the collection of pictures and drawings of the late Mr. George Salting, Agnew's, London, London, Jan 1910–Jan 1910
Paintings and drawings from Agew's, London, David Jones' Art Gallery, Sydney, Sydney, 28 Mar 1973–19 Apr 1973
'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, David Jones' Art Gallery, Sydney, Sydney, 10 Jan 1978–21 Jan 1978
Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, Agnew's, London, London, 09 Nov 1982–10 Dec 1982
The James Fairfax collection of old masters, Art Gallery of New South Wales, Sydney, 25 Apr 1992–14 Jun 1992
Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994
The James Fairfax collection of old master paintings, drawings and prints, Art Gallery of New South Wales, Sydney, 17 Apr 2003–20 Jul 2003
Grand Courts collection rehang, Art Gallery of New South Wales, Sydney, Nov 2021–2023
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Bibliography
Referenced in 25 publications
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Agnew's, London, Catalogue of the collection of pictures and drawings of the late Mr George Salting, London, 1910, 11. cat.no.207, Claude - 'River scene with cattle'
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Agnew's, London, A Dealer's record: Agnew's 1967-81, London, 1981, 108 (illus.).
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Agnew's, London, Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, London, 1982, frontispiece (colour illus.), 6, 11. cat.no.1
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Art Gallery of New South Wales, Great gifts, great patrons: an exhibition celebrating private patronage of the Gallery, Sydney, 1994. no catalogue numbers
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Art Gallery of New South Wales, The James Fairfax collection of old masters, Sydney, 1992. no catalogue numbers
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Richard Beresford, Look, 'Not only great art: fascinating stories discovered behind the works on show', pg.18-21, Sydney, Apr 2003, 20 (colour illus.).
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Richard Beresford and Peter Raissis, The James Fairfax collection of old master paintings, drawings and prints, Sydney, 2003, 54 (colour illus.), 55-56, 57 (colour illus.). cat.no. 11, illustration on page 57 is a detail
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Edmund Capon, Great philanthropists on trial : the art of the bequest, 'The James Fairfax collection', pg.126-135, Melbourne, 2006, 129 (colour illus.). fig.2
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David Jones' Art Gallery, Sydney, Paintings and drawings from Agnew's, London, 1973, (illus.). cat.no.8
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David Jones' Art Gallery, Sydney, 'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, Sydney, 1978. cat.no.92
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Renée Free, AGNSW Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 118 (colour illus.).
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Algernon Graves, A century of loan exhibitions, 1813-1912, 5 vols, London, 1913-1915, vol.1, 1913: 179.
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Terry Ingram, The Australian Financial Review, 'Salting the wound: UK rejection leads to local hanging', pg.22, Sydney, 14 Sep 2006, 22.
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Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 27 (colour illus.).
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Michael Kitson, Claude Lorrain, Liber veritatis, London, 1978, 58, (illus.). under no.11
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Michael Kitson and Marcel Röthlisberger, The Burlington Magazine, 'Claude Lorrain and the Liber Veritatis', pg.23, London, Jan 1959, 23. note 39 as 'possibly autograph'
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Maria Teresa Penta, Bollettino d'arte [vol. 78], 'Tobiolo e l'angelo: una proposta per Claude Lorrain', pg.39-48, Rome, 1993, 40, 46. note 11
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Marcel Roethlisberger and Doretta Cecchi, L'opera completa di Claude Lorrain, Milan, 1975, 92. no. 63
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Marcel Roethlisberger, Claude Lorrain: the drawings, San Francisco, 1968, 116. under 126
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Marcel Roethlisberger and Doretta Cecchi, Tout l'oeuvre peint de Claude Lorrain, Paris, 1986, 91, (illus.). no.61
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Marcel Roethlisberger, Claude Lorrain: the paintings, London, 1961, vol. 1, 117-118; vol. 2, (illus.). no. LV11, plate 44
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Royal Academy of Arts, Exhibition of works by old masters, London, Winter 1882, 47. cat.no.226
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Art Gallery of New South Wales Annual Report 1992 [for the year ended 30 June 1992], Sydney, 1992, frontispiece (colour illus.), 67.
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Author Unknown, Catalogue of Mr Goerge Salting's collection of pictures, [1910], 8. cat.no.207
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Editor Unknown (Editor), Gazette des Beaux-Arts, 'Chronique des Arts' suppliment, Unknown, Mar 1993, 30 (illus.). no. 146
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Provenance
Count Carl Gustav Tessin, Sweden, Probably Count Carl Gustav Tessin, Swedish Ambassador to Paris 1739-43, and collector.
Samuel Woodburn, London/England, [dealer] his estate sale Christie's London, 15-19 and 23-25 May 1854, 7th day, 24 May 1854, lot no. 844, bought in, 460gn 'From the Swedish Minister's Collection'. His sale, Christie's London, 9 and 11 June 1860, 2nd day, lot no.136, purchased by Cockburn, 300gn. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London.
Cockburn, post 11 Jun 1860, Purchased at Christie's London, 11 June 1860, lot no. 136, 300gn. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London.
John Chapman Walker, circa 1882-1907, Whitby/England, by 1882, lent to 'Exhibition of Works by Old Masters' Royal Academy 1882
Agnew's, London, 1907-1908, London/England, Purchased by Agnew's from John Chapman Walker 1907
George Salting, 1908, London/England
Lady Binning, 1909-1952, England, by descent from George Salting to his niece Katherine Augusta Millicent Salting (only child of George Salting's brother William Severin Salting) who married George Baillie-Hamilton, Lord Binning (1856-1917).
George Baillie-Hamilton, 12th Earl of Haddington, 1952-29 Nov 1968, Scotland, by descent from Lady Binning to her son George Baillie-Hamilton, 12th Earl of Haddington, Mellerstain. Sold Christie's London, 29 November 1968, lot no. 74.
Agnew's, London, 29 Nov 1968-1973, London/England, Purchased by Agnew's at Christie's London, 29 November 1968, lot no. 74. Sold to James Fairfax 1973.
James Oswald Fairfax AC, 1973-09 Jul 1992, Bowral/New South Wales/Australia, Gift of James Fairfax 1992. Purchased by James Fairfax from Agnew's 1973.